The Future Realisation - Announcement
Announcement
‘The Future Realisation’
a presentation of
Aeon Centre
of Cosmology
Perumalmalai, Tamil Nadu, South India
Aurodhan Art
Gallery
33, Rue François
Martin
Pondicherry 605
012 South India
9
February 2014 – 27 February 2014
__________________________________
‘Indian sacred architecture of whatever
date, style or dedication goes back
to something timelessly ancient and now outside India almost wholly lost, something
which belongs to the past, and yet it goes forward too…to
something which will return upon us and is already beginning to return, something
which belongs to the future.
Sri
Aurobindo
The
Foundations of Indian Culture
F
|
or the
first time the Mother’s superlative vision of a sacred architectural form is
being brought to a larger audience; until now the numerous books published on
the subject had reached only a few of the most dedicated seekers. It is therefore
our intention to present a comprehensive overview of the vision she had in the
early days of January 1970, in a manner that can be appreciated by a wider
public. Above all, the purpose of this exhibition is to place before the viewer
an aspect of the Mother’s genius that had been entirely ignored. Though it is
her most remarkable legacy, it finds no place in an overview of her
achievements. This exhibition proposes to correct that oversight.
To facilitate a faithful rendition of her accomplishment, we are fortunate to have not only the recordings of the Mother’s own description of what she saw in the subtle plane, but also a floor plan of the Chamber which she drew up with an engineer, bearing very exact measurements of all the relevant items so that, as she requested, the Chamber could be reproduced on this material plane with great precision, just as she saw it. The vision in such exceptional cases is only part of the revelation; the most important is the question of Measure because that consolidates the form in this material dimension as a direct transcription from the solar world. Measure creates the bridge between higher realms and the Earth dimension; the higher the source, the more exceptional the transcription.
Given the unique treasure posterity has left us, the result is that we are brought into contact with a sacred form as it was seen in the solar world, and as it could be constructed in this material dimension without the distortions of the mental and vital planes, if based on the Mother’s plan. The question of Measure assumes prominence for this purpose. It is equivalent to what was extolled in the Rig Veda as the Divine Maya. The Mother incarnated that power as it had never been done before.
The Chamber of her vision is one of its kind and can rightfully be considered the first cultural expression of the supramental Truth-Consciousness. Having made this breakthrough – that is, a pristine form transcribed direct from the Supramental plane – it serves as a fecund womb for future cultural expressions, continuously giving forth superior expressions touched by the power of Gnosis.
To facilitate a faithful rendition of her accomplishment, we are fortunate to have not only the recordings of the Mother’s own description of what she saw in the subtle plane, but also a floor plan of the Chamber which she drew up with an engineer, bearing very exact measurements of all the relevant items so that, as she requested, the Chamber could be reproduced on this material plane with great precision, just as she saw it. The vision in such exceptional cases is only part of the revelation; the most important is the question of Measure because that consolidates the form in this material dimension as a direct transcription from the solar world. Measure creates the bridge between higher realms and the Earth dimension; the higher the source, the more exceptional the transcription.
Given the unique treasure posterity has left us, the result is that we are brought into contact with a sacred form as it was seen in the solar world, and as it could be constructed in this material dimension without the distortions of the mental and vital planes, if based on the Mother’s plan. The question of Measure assumes prominence for this purpose. It is equivalent to what was extolled in the Rig Veda as the Divine Maya. The Mother incarnated that power as it had never been done before.
The Chamber of her vision is one of its kind and can rightfully be considered the first cultural expression of the supramental Truth-Consciousness. Having made this breakthrough – that is, a pristine form transcribed direct from the Supramental plane – it serves as a fecund womb for future cultural expressions, continuously giving forth superior expressions touched by the power of Gnosis.
This exhibition of the Chamber,
following the Mother’s precise architectural plan, connects her supramental
Gnosis to the Vedic Age. It was her task to re-connect the sacred sciences to
that ancient source, but enhanced today because of the manifestation of
Supermind.
Our world is replete with marvels
of architecture and contemporary technology. However, as impressive as they may
be, none have any gnostic content.
They are examples of human endeavours divorced from a higher reality. The
Mother’s, on the other hand, is an uncontaminated transposition direct from the
solar world by means of the Divine Maya which only an incarnation of the
highest order can realise.
The Mother’s vision is not to be confused with a construction in cement and steel. The foremost ‘material’ adequate for a construction of this unique quality is the Light of Gnosis. She has opened the pathway, which others can now follow, to that Kingdom of the Sun.
The Mother’s vision is not to be confused with a construction in cement and steel. The foremost ‘material’ adequate for a construction of this unique quality is the Light of Gnosis. She has opened the pathway, which others can now follow, to that Kingdom of the Sun.
Aeon Centre
of Cosmology
January 2014
aeoncentre1@gmail.com
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