The Sacred Geometry & Sanatana Dharma of Leonardo da Vinci’s Salvator Mundi - Part 4

The 432,000 measure of the Sun & Vesica Pisces overlaid upon the Sphere
of Leonardo’s Salvator Mundi. (Overlay: Lori Tompkins, March 2026)

In Part One, I revisited the Mother’s intriguing statement—from 1940–naming Sri Aurobindo as the artist of the Mona Lisa, which would suggest that she believed Sri Aurobindo was the reincarnation of Leonardo da Vinci. I noted that if this continuity of consciousness is true, and if the National Gallery’s 2011 authentication of Leonardo’s Salvator Mundi is correct, then the painting and its hidden sacred geometry takes on an even deeper significance. It connects, symbolically, Sri Aurobindo’s avataric mission of recovering the Eternal Law (Sanatana Dharma) of the ancient Vedic Seers and the eternal geometric and zodiacal key of this Eternal Law and of the Rig Veda that Sri Aurobindo and his extended lineage recovered over the course of 144 years.

And with this geometric key—shown above—we recover the original geometric and zodiacal sense and context of the Vedic Divine Son—or Salvator Mundi by whatever name—and his purifying “Apocalypse.” Via this recovery, we can clearly SEE, ILLUMINATE, and HEAL from humanity’s inherited misunderstandings of ancient symbols and lore which crystalized into the various, fragmented and fractious world religions of our Age of Pisces.

In Part Four—the conclusion of this series—I will further explore the connection between Leonardo and Sri Aurobindo, focusing on how this connection can be seen and appreciated in the cyclical field of time....

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