The Sacred Geometry & Sanatana Dharma of Leonardo Da Vinci’s Salvator Mundi - Part 1

"[T]he Mother considered Sri Aurobindo to be a reincarnation of Leonardo Da Vinci. Regarding the Mona Lisa, the Mother once commented:

“Sri Aurobindo was the artist.”

“If that is true, and the National Gallery of London’s authentication is correct, then the Mother’s statement above would equally apply to this recently recovered and restored portrait of the Divine Son with his sphere....

"[T]he radius of the transparent globe is contained in the Salvator Mundi's hand gesture, reminiscent of the hand gesture of Leonardo’s St. John the Baptist, and it determines the proportions and underlying occult or hidden sacred geometry of the entire painting. Thus the painter was clearly aware, on some level, of the connection between the Divine Son and the sacred geometry of the circle."...

"[T]he Divine Vedic Son, aka Agni [of the Rig Veda], is not only the Son of his two mothers — the circle of the Zodiac and the “vessel” of the vesica piscis on the geometric level — he is also their architect. He is the eternal pillar, skambha, and establisher of the eternal law (sanatana dharma) and divine measure (=divine maya) of the ancient Zodiac (aka the “Circle of Life”) and of all spheres, mundane and celestial. And being the immortal Son, architect, and “ruler” of the Zodiac, he can be understood as the hidden all-harmonizing Son, “One”, architect, soul, Sol Invictus, ruler or measurer of cyclical Time and spherical geometry. The Divine Son can also be seen as the architect, harmonizer, and knower of the harmony of the celestial spheres, including of course the sphere of the Earth."

Excerpts from Part 1
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